I don’t know if I continue, even today, always liking myself. But what I learned to do many years ago was to forgive myself. It is very important for every human being to forgive herself or himself because if you live, you will make mistakes - it is inevitable. But once you do and you see the mistake, then you forgive yourself and say, ‘Well, if I’d known better I’d have done better,’ that’s all. So you say to people who you think you may have injured, ‘I’m sorry,’ and then you say to yourself, ‘I’m sorry.’ If we all hold on to the mistake, we can’t see our own glory in the mirror because we have the mistake between our faces and the mirror; we can’t see what we’re capable of being. You can ask forgiveness of others, but in the end the real forgiveness is in one’s own self. i think that young men and women are so caught by the way they see themselves. Now mind you. When a larger society sees them as unattractive, as threats, as too black or too white or too poor or too fat or too thin or too sexual or too asexual, that’s rough. But you can overcome that. The real difficulty is to overcome how you think about yourself. If we don’t have that we never grow, we never learn, and sure as hell we should never teach.
Words mean more than what is set down on paper. It takes the human voice to infuse them with shades of deeper meaning.
That was the day she made herself the promise to live more from intention and less from habit.
BLACK & WHITE PHOTOGRAPHY :: ANSEL ADAMS
And by the way, everything in life is writable if you have the outgoing guts to do it. The worst enemy to creativity is self-doubt.
I wanted you to see what real courage is, instead of getting the idea that courage is a man with a gun in his hand. It’s when you know you’re licked before you begin, but you begin anyway and you see it through no matter what. You rarely win, but sometimes you do.
The Great Abyss.
Are you filling your life with work or filling your work with life?
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What kind of typeface should I use? How big do I set it? How should those letters, words and paragraphs be aligned, spaced, ordered and shaped? Thinking With Type answers these questions and more, providing clear guidelines for Designers, Writers, Editors and Students on how best to arrange their written content.
Type is the foundation of print and web design. Everything you need to know about thinking with type, you will find here. This richly detailed update to the classic text belongs on the shelf of every designer, writer, editor, publisher, and client.” -Jefferey Zeldman-
Thinking with Type is the definitive guide to using typography in visual communication, from the printed page to the computer screen. This revised edition includes forty-eight pages of new content, including the latest information on style sheets for print and the web, the use of ornaments and captions, lining and non-lining numerals, the use of small caps and enlarged capitals, as well as information on captions, font licensing, mixing typefaces, and hand lettering. Throughout the book, visual examples show how to be inventive within systems of typographic form—what the rules are and how to break them. Thinking with Type is a type book for everyone: designers, writers, editors, students, and anyone else who works with words.
An official web site is set up as a classroom companion to Thinking With Type. Lupton has provided a syllabus, sample chapters, exercises and handouts for download in high-res PDF format. If you’re still not convinced about the quality of this title yet, I would suggest you head over to the site to download the sample pages and judge for yourself.
Compared to the more common encyclopaedic approach to design theory books, Thinking With Type is easy to understand, engaging and fun to read. The tone of this book is what really makes it special and is why I can’t recommend it enough.
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